X-Men: First Class

Henry Jackman, who had worked with Vaughn in Kick-Ass, composed the score. Following the James Bond influences on First Class, Jackman drew inspiration from John Barry’s work in the said series, which he described as “extremely posh pop music”.

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Jackman started his work with a “Superman-style theme”, which is only featured in the final parts of the film as Vaughn thought it was too “successful and triumphant” for a disjointed and up-and-coming team.

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Therefore, Vaughn reworked a ‘stretched’ half-time version of the theme into the remainder of the film. The themes for Magneto and Shaw have similarities to reflect their “perverted father-son” relationship, with even a seamless transition during the scene where Shaw is killed to represent Lensherr’s full transformation into Magneto. The track “Rage and Serenity” is reused in Vaughn’s 2017 film Kingsman: The Golden Circle.

In a roundtable interview with multiple news outlets, Vaughn responded to a question about choosing “Love Love” by the British band Take That for the end-credits theme, explaining, “I bumped into [the band’s lead singer] Gary [Barlow] in [Los Angeles], and we were just talking, and I said, ‘Do you want to come and see a rough cut of it?’ And they came, and they wrote the song, and I listened to it, and I said, ‘I think it’ll be a hit’, and if we can do a video which gets girls more interested … we might get them to come and watch it. So it’s pure commerce, to be blunt, and I want women to see this film.” An instrumental of the song “Run (I’m a Natural Disaster)” by Gnarls Barkley is used in the ‘mutant recruitment’ scene.